DESIGNING IN NIAVARAN HISTORICAL & CULTURAL COMPLEX: THE MAIN GOAL OF THIS PROJECT IS TO COMBINE THE NEW AND OLD AND WANTED TO HAVE 2 OR 3 DIFFERENT GENERATIONS OF BUILDINGS BESIDE EACH OTHER , SO THE NIAVARAN HISTORICAL AND CULTURAL COMPLEX HAD THIS POTENTIAL WHICH INCLUDES 2 BUILDINGS CALLED “KOOSHKE-AHMAD SHAHI” AND “SAHEB GHARANIEH PALACE” FROM QAJAR PERIOD AND ALSO “NIAVARAN PALACE” FROM PAHLAVI PERIOD.
Participant Name: Javad Eiraji
University: Tehran Central Branch, Islamic Azad University, Tehran
Country: Iran
THE TITLE OF “QAJAR MUSIC MUSEUM” IS CHOSED BECAUSE OF THE GOLDEN TIME OF IRANIAN MUSIC HISTORY HAS HAPPENED IN QARA ERA. SO THERE IS NO NEED THAT THE STYLE OF QAJAR MUSIC MUSEUM BE THE SAME AS IT WAS IN QAJAR.
TODAY`S IDENTITY + YESTERDAY`S BACKGROUND: THE MAIN CONCEPT OF THIS PROJECT IS TO SAVE THE TRADITIONAL ARCHITECTURE SYMBOLS WITHINH THE FREE ARCHITECTURE OF TODAY AS THIS PROJECT IS DESIGNED IN A HISTORICAL RIGION OF NIAVARAN COMPLEX SO, THE CREATED VOLUME SHOULD NOT BOTHER THE OTHER BUILDINGS OF THIS COMPLEX WHICH INCLUDES THE SAHEB GHARANIEH AND KOOSHK AHMAD SHAHI PALACE WHICH ARE RELATED TO QAJAR PERIOD AND ALSO THE NIAVARAN PALACE WHICH IS RELATED TO PAHLAVI PERIOD THE ONE BEFORE THE ISLAMIC REVOLUTION SO, THERE WILL BE 3 DIFFERENT GENERATIONS OF BUILDINGS WITH MUSIC MUSEUM.
IN THE OTHER HAND THE ARMY MUSIC THAT DURING THAT TIME CAME TO IRAN FROM FRANCE WAS THE OTHER CONCEPT OF THIS PROJECT. THE ARMY MUSIC HAS ITS SPECIAL RHYTHM THAT THIS CASE HAS BEEN TRIED TO BE SHOWN ON THE MAIN COVERING SYSTEMS OD DESIGN.
